








PLEASE JOIN US FRIDAY, NOVEMBER
21ST @ 8PM FOR
AN EVENING OF MUSIC, COMFORT AND
PRE-THANKSGIVING CHEER!!!
COME HUNGRY FOR DINNER WHILE SUPPLIES LAST OR UNTIL
WE RUN OUT!!!

www.myspace.com/phosphorescent
www.myspace.com/ocelotpage
www.myspace.com/noblelake
Tickets
go on Sale 10/2, www.missiontix.com
Musicians
often head to New York, it's a familiar story. But something magical
happened when Matthew Houck picked up stakes halfway through making his
new Phosphorescent record, Pride, and moved to Brooklyn from Athens,
Georgia.
Raised in Alabama, Houck has always made music steeped
in the Southern-gothic tradition, a sweet American folk soaked in
atmosphere like a pound cake in rum. On 2005's Aw Come Aw Wry, our
weary-voiced bandleader cemented his reputation for making masterpiece
albums filled with hallelujahs for both grace and tragedy with songs
that swung from ramshackle and joyous to broken and pleading in the
space of a prayer. The live show swung along this arc
– with Houck
sometimes backed by up to 14 or 15 members –
creating a full-blown,
shambling, marching-brass-band-revival-tent celebration.
Pride
is something different. While it's not without the moments of sheer
abandon that have made Phosphorescent's work unmistakable--"At Death, A
Proclamation" thunders into familiar territory--mostly gone are the
messy marching bands and evangelical fervor. Here, Houck instead
channels something more mystical and haunting, offering up a dark,
meditative set of songs that is all the more spiritual-sounding for its
restrained tone. On previous albums, he's recruited guest musicians to
fill the gaps, but on Pride, Houck has only enlisted the services of a
makeshift choir, otherwise recording every instrument himself. His
achingly cerebral delivery recalls Arthur Russell, but honestly, Pride
sounds like nothing else we've ever heard. These are poems uttered in
an empty field, punctuated by shouts and hollers, as if from a singer
either abandoned or possessed. The lyrics are Houck's strongest ever,
wrapped in washed out choral etudes that could be channeled from a
rural French chapel or a solemn African tribe in prayer.
Pride
sounds like it was made by a man set free. In fact, Pride sounds broken
free of time and place altogether. Yet still it is warm, familiar, and
welcoming--a record to call home.


www.myspace.com/tedleo
The December 20th Yeasayer
show has been canceled.
Please refund tix @ missiontix.com